Forced to migrate, the Bhil tribals made the central
Indian valley of the river Narmada their home. Spirited and zestful,
undaunted by the difficult living conditions, they have a past as
colourful as their present.
With eyes that flash
fire, they claim to be descendants of a tribe as old as the hills,
forests and valleys that they inhabit. Their ancient lifestyles,
their strange customs, their lilting songs, their rhythmic dances are
all, I was told, part of a mighty continuity that dates back to
pre-historic times.
Of all this I was
unaware, because my first encounter with a Bhil had brought me face
to face with a world class celebrity as he styled
himself- Karna Singh Bheel the man with the almost
unbelievably long moustache the longest in the world at five
feet eight inches. This happened in Rajasthan many years ago.
Karna Singh Bheel, like
several others of his tribe who regarded dacoity (robbery) as
an honourable profession, had once thrived as a killer dacoit.
Changing times and several brushes wit the law, he told me, had
transformed him into an accomplished nad (folk instrument)
player. Twirling his world record length moustache, Karna Singh Bheel
had waxed eloquent about its length, his daring exploits as a dacoit,
the number of times he had traveled abroad to give exhibitions- of
both his moustache and his musical skills, and his love for the nad.
But he had too little time to talk to me at leisure about Bhils, past
or present. Karna Singh Bheel was murdered in cold blood in 1987 when
killers from Pakistan, it is alleged, beheaded him and carried his
head with its world acclaimed moustache across the
border as a trophy.
It was only recently when
I visited Jhabua and Dhar district in Madhya Pradesh that I had the
opportunity of interacting closely with the Bhils. Numbering about
one million, they are concentrated in the four contiguous states of
Rajasthan, Gujarat, Madhya Pradesh and Maharashtra.
In the central Indian
state of Madhya Pradesh, the Bhils have preserved through a strong
oral tradition, interesting stories about their origin. One day, a
fish in the river warned a washerman sitting on the bank of an
approaching deluge. The washerman procured a wooden crate and, along
with his sister and cock, who also took shelter in the crate,
survived the deluge. But now the earth was one big sheet of water,
and the occupants of the crate despaired.
The desperate crowing of
the cock attracted Gods attention and his messengers brought
the crate before him and opened it. The washerman, over-come with
gratitude, related his story to God, who asked him who the woman was.
Three times the washerman averred that she was his sister, but the
fourth time, he said she was his wife. After this, he had no choice
but to marry her.
Seven sons and seven
daughters were born from this union brought about by the deluge. When
the first-born son grew up, God presented him with a horse. But the
son, unable to master or ride the horse soon gave up the
responsibility of caring for the horse, and went away into the
forest. Of this son, it is said, came the Bhil tribe, for in time,
the offspring of he first born deluge son multiplied into
a sizeable population.
Another story has it that
Parvati, the consort of Lord Shiva, originally regarded the Bhils as
her brothers. One day, five Bhils went to visit Lord Shiva. Parvati
told them about the great wealth that was stored in the hump of
Nandi, Lord Shivas bull. On hearing this, the five Bhils
conspired and proceeded to kill Nandi to procure the wealth in his
hump. Parvati was outraged and informed them that they should have
yoked the bull and used it to plough the earth and so obtain wealth
instead of foolishly and thoughtlessly slaying it. Forevermore, she
condemned the Bhils to miserable existence.
Over the centuries, the
Bhils have indeed, eked a marginal, unsettled existence. But this has
in no way dampened their spirit and zest for life. One of their many
songs, set to music, describes how the Bhils were forced to migrate
from some place because of famine and chose finally to live in the
jungles where they succeeded in living happily surviving on
their hunting skills, the lore of the jungle, and an unquenchable
appetite for fun and laughter even in the face of adversity.
A great love of music and
dance characterize their lives even today. One evening, in the
picturesque valley of the Narmada, I watched hundreds of Bhil men and
women gather and sing and dance in gay abandon to the beat of drums
and the notes of a pawli (an aerophonic instrument).
Many activities f the
Bhils are ritualistic. Tattooing, for instance, which is common among
Bhils, carries a meaning far beyond the decorative. Clan and group
codes are often expressed through tattooing.
Before a Bhil girl
attains puberty, she must acquire a chirlya (bird) tattoo,
and naina (eye lines), even though the art of tattooing is a
painful process. Like other tribal groups, the Bhils too have
hereditary professional women tattooers. The more tattoo marks a girl
has, the more beautiful she is considered.
Bhil girls have ample
opportunity to display their tattoo adornments along with the
symbolic significance at the weekly haats (markets) which are held
amidst every cluster of Bhil habitations. These haats are
also matrimonial markets, for it is here that young boys and girls
from different villages can meet without inhibition and, if they make
a choice, request their elders to approve and solemnize a marriage.
Occasions such as
weddings and festivals bring to the fore two contradictory but great
loves of the Bhils liquor and worship. Some Bhil sects are
worshippers of the moon and the stars. But all Bhils worship Bhilat
Dev, their chief deity. It is said that Bhilat Dev was a cowherd, who
learned the arts of music and magic.
One day, as Bhilat Dev
was playing the harp, a monstrous serpent called Bheru appeared.
Bhilat grabbed the serpent by the hood and carried it to Lord Indra
God of the wind and rain. Indra, pleased at the bravery and skills of
Bhilat, rewarded him with hundreds of cow, and ordained that Bheru,
the serpent should serve him for life. Ever since then, the Bhils
have worshipped Bhilat Dev, whose image is generally found ensconced
under some spreading shady tree near Bhil habitations.
Today, the Bhils, with
all their colourful customs and traditions, still refuse to stand
willingly on the crossroads of progress and prosperity. They are
still loathe to exchange their freedom for all the comforts and
security that a settled, prosperous existence would usher in. So
far, they have remained like insular inlands, a law unto themselves,
a link with the distant, primeval past. But for how long
.?
|